Albert Stahl & Co. #290 "Happy Clown Giuseppe".
You can watch a video about this mug at the following link:
[Link]
Beer mug "Happy Clown Giuseppe".
This large beer porcelain mug with a height of 31 cm has a capacity of about 0.75 liters. The mug is designed as a figurine of a cheerful clown Giuseppe with a trained dog. The mug is painted in a bright color scheme and is part of the "Cheerful Clown Giuseppe" series, which was also produced in other colors.
This mug was manufactured in 2006 by the German factory Albert Stahl & Co. as part of a special limited edition of 300 pieces. The order came from the importer-distributor M. Cornell. At the bottom of the mug there is a label with the inscription "Exclusive product from David Harr/www.charactersteins.com".
Year of production: 2006. Limited edition (300 pieces), ind. number 92. Produced exclusively by Stahl.
In the catalog of the Albert Stahl & Co. factory, the mug is listed under the number X290.
This mug is paired with the "Sad Guido the Clown" mug, which is listed in the factory catalog under the number X291.
On the side of the suitcase, you can see the signature of the designer of this mug, I. Schunke.
The name "Giuseppe" in the context of the "happy clown" can refer to two different characters: the famous sculptor Giuseppe Armani and the father of the famous clown Joseph Grimaldi.
Now, let's talk about each of them individually:
Italian sculptor Giuseppe Armani (1935-2006) became famous for his porcelain figurines, many of which depicted happy and cheerful clowns. These porcelain figurines often feature captions such as "Clown with a Dog," "Clown Fiddler," and others.
Giuseppe Grimaldi, the father of the clown Joseph.
The founder of the clown dynasty, Giuseppe Grimaldi, was an Italian actor and dancer who moved to London in the 1760s. Giuseppe's son, Joseph Grimaldi (1778-1837), became one of the most famous clowns in history, known as the "King of Clowns." His image has become a classic, and he is considered the founder of modern clowning.
Giuseppe Grimaldi, like his son, had a significant impact on the history of circus art. He was often depicted in his son's pantomimes and performances.
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