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Girmscheid #68/338


Matthias Girmscheid - mold 68

From the collection of William Griffin


Loreleyfelson- The Loreley Rock (Cliff)
No capacity mark, I'm Guessing about 2.25 Liters.
Two color version.
KB mark on right of Loreley.
Three panels featuring Loreley on front ,
The last Templar on another.
Saint Guntram ("war raven") King of Burgandy on another.
The Legend of Falkenburg

In the imperial fortress of Falkenburg dwelt the beautiful Liba, the most charming and accomplished of maidens, with her widowed mother. Many were the suitors who climbed the hill to Falkenburg to seek the hand of Liba, for besides being beautiful she was gentle and virtuous, and withal possessed of a modest fortune left her by her father. But to all their pleadings she turned a deaf ear, for she was already betrothed to a young knight named Guntram whom she had known since childhood, and they only waited until Guntram should have received his fief from the Palsgrave to marry and settle down.

One May morning, while Liba was seated at a window of the castle watching the ships pass to and fro on the glassy bosom of the Rhine, she beheld Guntram riding up the approach to Falkenburg, and hastened to meet him. The gallant knight informed his betrothed that he was on his way to the Palsgrave to receive his fief, and had but turned aside in his journey in order to greet his beloved. She led him into the castle, where her mother received him graciously enough, well pleased at her daughter's choice.

"And now, farewell," said Guntram. "I must hasten. When I return we two shall wed; see to it that all is in readiness."

With that he mounted his horse and rode out of the courtyard, turning to wave a gay farewell to Liba. The maiden watched him disappear round a turn in the winding path, then slowly re-entered the castle.

Meanwhile Guntram went on his way, and was at length invested with his fief. The Palsgrave, pleased with the manners and appearance of the young knight, appointed him to be his ambassador in Burgundy, which honour Guntram, though with much reluctance, felt it necessary to accept. He dispatched a messenger to his faithful Liba, informing her of his appointment, which admitted of no delay, and regretting the consequent postponement of their marriage. She, indeed, was ill-pleased with the tidings and felt instinctively that some calamity was about to befall. After a time her foreboding affected her health and spirits, her former pursuits and pleasures were neglected, and day after day she sat listlessly at her casement, awaiting the return of her lover.

Guntram, having successfully achieved his mission, set out on the homeward journey. On the way he had to pass through a forest, and, having taken a wrong path, lost his way. He wandered on without meeting a living creature, and came at last to an old dilapidated castle, into the courtyard of which he entered, thankful to have reached a human habitation. He gave his horse to a staring boy, who looked at him as though he were a ghost.

"Where is your master?" queried Guntram.

The boy indicated an ivy-grown tower, to which the knight made his way. The whole place struck him as strangely sombre and weird, a castle of shadows and vague horror. He was shown into a gloomy chamber by an aged attendant, and there awaited the coming of the lord. Opposite him was hung a veiled picture, and half hoping that he might solve the mystery which pervaded the place, he drew aside the curtain. From the canvas there looked out at him a lady of surpassing beauty, and the young knight started back in awe and admiration.

In a short time the attendant returned with a thin, tall old man, the lord of the castle, who welcomed the guest with grave courtesy, and offered the hospitality of his castle. Guntram gratefully accepted his host's invitation, and when he had supped he conversed with the old man, whom he found well-informed and cultured.

"You appear to be fond of music," said the knight, indicating a harp which lay in a corner of the room.

He had observed, however, that the strings of the harp were broken, and that the instrument seemed to have been long out of use, and thought that it possibly had some connexion with the original of the veiled portrait. Whatever recollections his remark aroused must have been painful indeed, for the host sighed heavily.

"It has long been silent," he said. "My happiness has fled with its music. Good night, and sleep well." And ere the astonished guest could utter a word the old man abruptly withdrew from the room.

Shortly afterward the old attendant entered, bearing profuse apologies from his master, and begging that the knight would continue to accept his hospitality. Guntram followed the old man to his chamber. As they passed through the adjoining apartment he stopped before the veiled portrait.

"Tell me," he said, "why is so lovely a picture hidden?"

"Then you have seen it?" asked the old keeper. "That is my master's daughter. When she was alive she was even more beautiful than her portrait, but she was a very capricious maid, and demanded that her lovers should perform well-nigh impossible feats. At last only one of these lovers remained, and of him she asked that he should descend into the family vault and bring her a golden

crown from the head of one of her ancestors. He did as he was bidden, but his profanation was punished with death. A stone fell from the roof and killed him. The young man's mother died soon after, cursing the foolish maid, who herself died in the following year. But ere she was buried she disappeared from her coffin and was seen no more."

When the story was ended they had arrived at the door of the knight's chamber, and in bidding him good night the attendant counselled him to say his paternoster should anything untoward happen.

Guntram wondered at his words, but at length fell asleep. Some hours later he was awakened suddenly by the rustling of a woman's gown and the soft strains of a harp, which seemed to come from the adjoining room. The knight rose quietly and looked through a chink in the door, when he beheld a lady dressed in white and bending over a harp of gold. He recognized in her the original of the veiled portrait, and saw that even the lovely picture had done her less than justice. For a moment he stood with hands clasped in silent admiration. Then with a low sound, half cry, half sob, she cast the harp from her and sank down in an attitude of utter despondency. The knight could bear it no longer and (quite forgetting his paternoster) he flung open the door and knelt at her feet, raising her hand to his lips. Gradually she became composed. "Do you love me, knight?" she said. Guntram swore that he did, with many passionate avowals, and the lady slipped a ring on his finger. Even as he embraced her the cry of a screech-owl rang through the night air, and the maiden became a corpse in his arms. Overcome with terror, he staggered through the darkness to his room, where he sank down unconscious.

[paragraph continues] On coming to himself again, he thought for a moment that the experience must have been a dream, but the ring on his hand assured him that the vision was a ghastly reality. He attempted to remove the gruesome token, but he found to his horror that it seemed to have grown to his finger.

In the morning he related his experience to the attendant. "Alas, alas!" said the old man, "in three times nine days you must die."

Guntram was quite overcome by the horror of his situation, and seemed for a time bereft of his senses. Then he had his horse saddled, and galloped as hard as he was able to Falkenburg. Liba greeted him solicitously. She could see that he was sorely troubled, but forbore to question him, preferring to wait until he should confide in her of his own accord. He was anxious that their wedding should be hastened, for he thought that his union with the virtuous Liba might break the dreadful spell.

When at length the wedding day arrived everything seemed propitious, and there was nothing to indicate the misfortune which threatened the bridegroom. The couple approached the altar and the priest joined their hands. Suddenly Guntram fell to the ground, foaming and gasping, and was carried thence to his home. The faithful Liba stayed by his side, and when he had partially recovered the knight told her the story of the spectre, and added that when the priest had joined their hands he had imagined that the ghost had put her cold hand in his. Liba attempted to soothe her repentant lover, and sent for a priest to finish the interrupted wedding ceremony. This concluded, Guntram embraced his wife, received absolution, and expired.

Liba entered a convent, and a few years later she herself passed away, and was buried by the side of her husband.

Text courtesy of: [link]

View the collection of William Griffin

type stein materialstoneware
producer Matthias Girmscheid
producer info
mold68
68/338
designer/decoratorAnton Kilian (Karl) Beuler
capacity2.25   
design date   


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